Mildred Holland’s Seven-year Task

IMG_3824Mildred Holland was an unusual and determined woman. Not content with  being merely the new rector’s wife at St Mary’s, the parish church at Huntingfield in northeast Suffolk, Mildred took it on herself to singlehandedly repaint the ceiling of the church’s hammerbeam roof. This enormous labour took seven whole years between 1859 and 1866, a period in which spent she much of her time on her back atop scaffolding wielding a paint brush. First she painted the chancel, then the nave. A novice to church painting, Mildred was given some advice by E L Blackburne FSA, an expert on medieval decoration, but other than this and the help she received from workmen erecting the scaffolding she had no assistance whatsoever. Naturally, such arduous toil took its toll and Mildred died in 1878, a relatively young woman, not so many years after completing her task.

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There may be those who will find the roof decoration here far too bright for their taste –  the colours are brilliant and vibrant, the overall affect almost psychedelic. But if you have  a plentiful supply of pound coins  – there is a cash-hungry slot for inserting coins to supply short-lived electrical illumination – you can see for yourself the sort of church decoration that might have held illiterate medieval peasants in awe. True, Mildred’s work was a Victorian makeover but it was probably quite faithful to the original paint job – the bling of medieval church decoration was often far more garish than many of us imagine it to be.

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To find the church you must first venture down winding narrow lanes southeast of Halesworth in Suffolk, a modest adventure in its own right. There is a monument to Mildred and her husband in the churchyard close to the gate. The dedicated font cover, a sort of internal church steeple, is rather impressive too.

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St Mary’s, Huntingfield and the story of Mildred Holland makes an appearance in my new book Slow Travel Suffolk, a companion volume to the recently published Slow Travel Norfolk, although the book is by no means solely about churches, medieval decoration or single-minded determined women.

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Radical Norfolk

2013188929Norfolk doesn’t tend to be the first place that comes into mind when you think of political radicalism but, surprisingly perhaps, there is  a strong tradition here and the East Anglian countryside has not always been as true blue as some might have you think.

Thetford in the Norfolk Brecks is the birthplace of republican and revolutionary pamphleteer Thomas Paine (1737-1809), a man who had an important part to play in both French and American revolutions. Two hundred an fifty years earlier, Robert Kett, a yeoman farmer from Wymondham was another radical figure who became a thorn in the side of the ruling class. It was Kett who, along with his brother, sided with his own impoverished labourers and helped break down fences erected to enclose common land in 1549. Kett’s ragged rebel army  camped on Mousehold Heath just outside Norwich before eventually being defeated by government forces, after which Robert Kett was hanged at Norwich Castle, and his brother William at Wymondham Abbey, as an example to uppity peasants.

Another pair of local heroes were Tom and Kitty Higdon who in the first half of the 20th century led the longest strike in British history at their tiny school  at Burston in south Norfolk. Here  is a brief extract from Slow Travel Norfolk on the subject:

The Burston Strike School

‘The labourer must henceforth take his place industrially socially and politically with the best and foremost of the land.’

Tom Higdon, 1917

In brief, the story goes that Tom and Kitty Higdon were appointed as teachers at Burston School in 1911 after previously working for nine years at Wood Dallingin north Norfolk. The Higdons, who were Christian socialists, had complained about the poor conditions at the Dalling school and the frequent interruption of the children’s education when recruited for farm work. Many of the farmers employing the children were also school managers and tensions mounted as a result of this, particularly as the Higdons had also encouraged local farm labourers to join trade unions. When matters came to a head, the Higdons were given the simple choice of dismissal or removal to a different school.

The couple were transferred to Burston, where they found conditions much the same:their complaints to the school managers, the chairman of whom was the local rector, created tensions here too. The pair were dismissed on fabricated charges of pupil abuse on April Fool’s Day 1914 and, following their dismissal, 66 of the school’s 72 pupils marched along Burston’s ‘candlestick’ (a circular route around the village) carrying placards that bore messages like ‘We Want Our Teachers Back’. Many parents refused to send their children to the official council school and, as a result, a separate ‘strike’ school was established.

The Burston Strike School, as it came to be known, began as little more than a tent on the village green but later moved to a carpenter’s shop in the village. There was considerable intimidation by local employers against the rebel parents and many workers were sacked or evicted from their tied cottages. The village rector, the Reverend Charles Tucker Eland, who firmly believed that labourers should know their place in the social order, also went as far as evicting poor families from church land. Fortunately, the labour shortage created by the onset of World War I worked to the advantage of the labourers. Money was raised by labour organisations such as the Agricultural Labourers’ Union and the Railwaymen and, by 1917, there were sufficient funds to build a new schoolhouse. Both Sylvia Pankhurst and George Lansbury attended the opening ceremony in that same year. The school ran until 1939 when Tom Higdon died and the same modest building serves today as a museum of the strike school’s history. There has been a rally organised by the TGWU held annually in the village since 1984, the 70th anniversary ofthe school’s founding.

An annual rally still takes place in the village each year on the first Sunday in September. It’s a colourful, upbeat affair and a rallying call for what might be described as ‘the old Left’, with speeches by well-known political figures and trades unionists, and music by the likes of Billy Bragg. Regular – indeed, almost annual – speakers were two men who have both sadly passed on this week: Bob Crow and Tony Benn. (The last time I saw Tony Benn here I remember that he recounted the words of Thomas Paine from Rights of Man: ‘My country is the world, my religion is to do good.’)

As 2014 is the centenary year of the strike there is additional event this year on April 1st, but now that both of these two mighty oaks of the Left have fallen it may prove to be a poignant occasion.

Keswick All Saints

IMG_5265A little way south of Norwich, standing atop what counts for a hill in these parts, is a tiny roundtower church nestled amidst trees. All Saints Church stands above the small village of Keswick  in a crumpled corduroy landscape of wintry ploughed fields. Like most of the territory of this urban fringe, the church lies within the acoustic shadow of the city’s southern bypass and the dull thrum of traffic melds with the chatter of birds in the trees and hedgerows – mostly finches, tits and blackbirds at this time of year. Across the valley, a thread of pylons leads inexorably north towards Norwich where they will deliver electricity to power the city’s PlayStations, fridge-freezers and TiVo boxes. IMG_5289A narrow track leads from the main road up to the church but this is impassable in a car as a collapsable central barrier has been installed. With nowhere to park, we sneak into a bus lay-by on the main road in the knowledge that, this being Sunday, there won’t be one along for at least an hour or so. Arriving on foot at the gate, the church noticeboard informs us that services are held once a month on the last Sunday of the month, an impressive boast for such a small church in this day and age. In fact, a quick look at Simon Knott’s highly commendable Norfolk Churches website tells us that this is probably the smallest working church in all the county. And, as Norfolk has the lion’s share of Europe’s roundtower churches (124 of 185 in the whole of the UK), Keswick All Saints is probably the smallest functional roundtower church in Britain, if not in Europe. Not today, though – today, the church door remains firmly locked.

IMG_5277  IMG_5320  IMG_5282Keswick Hall just across the valley was once the home of the Gurney family, a local dynasty with farming and banking interests. The mossy tombs of several family members look down from the vantage point of the graveyard towards the hall that was once their earthly domain. The original church fell into disuse in the 16th century and was later partly demolished to repare the church at nearby Intwood (also All Saints) when the two parishes were united. Nearly four hundred years later in 1893, it was the Gurney family who came to the rescue, restoring the ruin and adding a short nave to create a mortuary chapel, which eventually became a church once more when services were authorised in 1934. IMG_5311If the earlier church was small, the Gurney restoration is tiny, just half the size of the original. But we could not get inside this ecclesiastic doll’s house to see the stained glass window or roof angels. No matter – on a sunny and unseasonably mild February day that already bore the promise of spring it was enough to enjoy the snowdrops in the copse and watch a pair of buzzards circle overhead on the thermals that rose from the sun-warmed fields.IMG_5322

Yugostalgic Belgrade

IMG_1948Although Tito was half Croat and half Slovene he spent most of his time as Yugoslav helmsman in the Serbian capital, Belgrade. It is here, in the leafy Topčider suburb that lies south of the city centre, where you can find the former leader’s memorial complex – an art gallery, museum and mausoleum scattered among birches, landscaped lawns and whimsical statuary. When I first visited back in 2005 this was a fairly neglected place. I don’t remember there being any other visitors and once the guards had let me through I had the place to myself. What I remember as being poignant were the one-way arrows on the walkway that led up to the mausoleum – indicators of once-necessary pedestrian traffic control that had long become meaningless.

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Fast-forward seven years to a return visit. This time it is certainly busier and now there are English-language signs and even a gift shop at the gatehouse. Although the House of Flowers does not see the crowds that would have assembled here in the 1980s there appears to be a slow renaissance and I am informed that even a group of Slovene Hells Angels now make an annual pilgrimage here on 25 May, Tito’s birthday.

Ever the unrepentant tourist, I purchase a Tito mug and mouse-mat but pass on buying a T-shirt. At the mausoleum itself – the poetically named ‘House of Flowers’ – I swap cameras with a Romanian visitor as we take turns to pose by the marble slab that bear the simple inscription: Josip Broz Tito 1992 –1980. The ‘Old Museum’ next door bears a collection of the gifts presented to Tito during his long presidency. The gifts – no doubt just small sample – range from homemade socks and hand-stitched blouses to weaponry and musical instruments. Tito apparently loved dressing up and, correspondingly, there are plenty of costumes on display too, the most remarkable of which is a Bolivian witchdoctor’s outfit. Tito always was something of a shaman.

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There are still those that miss him. Tito ruled for 35 years until his death in 1980 but his memory has been laced with ambiguity since the traumatic breakup of the Yugoslav federation. In recent years, though, there has been a considerable amount of revisionism taking place in the Balkan region. So-called ‘Yugostalgia’ is one reflection of this. Playful and ironic, as well as sentimental and nostalgic, the commonest expression of this phenomenon seems to be the Yugostalgia theme-café. There’s an excellent one in Sarajevo right next to the war museum but others can be found throughout the former Yugoslavia(although probably not in Kosovo where Bill Clinton is still undisputed king).

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On my last trip to Serbia, the Republika café in Belgrade’s Skadarlija quarter, a former bastion of Yugostalgia, seemed to have closed for business but I was more than compensated in discovering a new kafana (traditional café-restaurant) behind the Vuk Theatre in the city centre. Like all the best places in Belgrade, Kafana Pavle is a little hard to find. Tucked away down a graffiti-scrawled alleyway that seems to go nowhere, its presence is given away by a menu card in a steamed-up window that proudly displays the red star and hammer and sickle. Inside, it’s an Aladdin’s cave of Yugostalgic bric-a-brac – framed photos of Tito, Lenin and even Stalin (if Stalin on display then you can be sure the intention is tongue-in-cheek). Shelves are piled with dog-eared photo books of old Yugoslavia and stacks of 1970s Yugo-rock LPs that have hairy young men sporting flared trousers and mullets on the cover. On the wall hangs a map of the former Yugoslavia in the shape of a red star.

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Of course, all this serves as homage to a country that no longer exists but at least you can get a taste of what it might have once been at rare enclaves such as this. Just be sure to bring along a sense of irony and check in your cynicism at the door.

Mappa Mundi – but whither Norwich?

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This summer I visited Hereford for the first time in decades. I have long wanted to see the famous Mappa Mundi at the cathedral there and so this was an opportunity. The ancient map, along with the almost as well-known chained library, is on display in a special exhibition area beside the cloisters. With an entrance fee to pay, the map is clearly a nice little earner for Hereford Cathedral, as is the gift shop where visitors can purchase souvenir posters, books, and fridge magnets – ‘mappa money’ perhaps? It is all the more surprising then to learn that not so very long ago Hereford Cathedral was considering selling its precious artefact to raise cash and the map was saved at the eleventh hour by generous donations from the National Heritage Memorial Fund and long-time Anglophile John Paul Getty Jr.

The Mappa Mundi was made by a man called Richard de Haldingham e de Lafford from Lincolnshire, whose real name was Richard de Bello, a prebendery (senior member of clergy) of Lafford (Sleaford) in the diocese of Lincoln Cathedral. Richard was promoted to a stall in Hereford Cathedral around the end of the 13th century. The map is thought to have been drawn sometime between 1276 and 1290.

The map is certainly a wondrous thing – a single piece of vellum measuring 1.58 x 1.33 metres and tapering towards the top like an upside down shield. It depicts the world that was known in the late 13th century, a world of fact and fiction, of the familiar and fantastical, of uncanny accuracy and cartographic howlers. More than anything it is a map that superimposes the oceans and landmasses of the known world with the fantasmagorical topography of the dark medieval psyche. At the centre, of course, is Jerusalem surrounded by the continents of the Old World. Asia, the orient, lies at the top, Europe at bottom left hand corner and Africa to the right of this. Superimposed on this are drawings of famous cities and towns, Biblical events and personalities like Noah and his family at sea in the Ark, and figures from mythology like the Golden Fleece and the Cretan labyrinth. There are images of peoples of the world as well as plants, animals and disturbing weird creatures that belong to ‘Here be Dragons’ territory like Gangines, Grifones and the Sciapod, who shelters himself from the sun by the shade of a single enormous foot.

The British Isles lie at the extreme lower left hand edge of the map. England and Scotland are pinched at their join to be depicted almost as separate islands. Some of the rivers – Severn, Thames, Humber – have taken on an Amazon-like width. London and Oxford are pretty well where they should be, although Durham is clearly in the wrong place, located here south of Carlisle and west of York. There’s clearly a degree of local bias at play in the drawing of the map. Lincoln, thought to be the home town of the map’s creator, is depicted as an elaborate castle that nearly equals the Tower of London in status, while the representations of Winchester and Oxford are both rather puny in terms of their relative importance at the time. Hereford is shown as you might expect, and even nearby Clee Hill (Môr Clee) looking something like a cartoon jelly, a humble bit of topography but perhaps included as a local detail in a nod to the map’s Hereford home.

Studying the map (there’s a much clearer English equivalent on the wall opposite to facilitate this) we did what I am sure most visitors do; we looked for our own city of residence, in our case Norwich. There is no sign of it. Indeed, even the bulge of East Anglia is unrepresented as if cartographically redacted like a revisionist face on a Stalin-era photograph. The map maker, a native of Lincolnshire, would surely have known of the existence of Norwich. The city was, after all, the second largest city in England at the time. With a magnificent cathedral, a Norman castle and a large city population, the city was then a far more significant urban centre than it is today. Far more important than Hereford, Gloucestershire or even York, all of which are represented on the map.

This deliberate omission seemed a mystery until I reflected on the date of the map and what was taking place around that time. In the late 13th century several violent confrontations took place between the aggrieved citizens of Norwich and the clergy incumbent at the city’s Cathedral. As a result, Norwich has the distinction of being the only English city ever to be excommunicated following a particularly bloody riot between citizens and monks in 1274. The Etheldreda Gate to the Cathedral, which still stands today, was constructed as penance by Norwich citizens. Was it this excommunication that led Richard de Bello to ignore the city and omit it from his map? After all, the map was drawn to show the creation of God not the world of Man. Norwich, excommunicated at the time, may simply have been considered insufficiently God-fearing to be included as part of His world.

This God-less tradition may have continued to some extent. The 2011 census revealed that Norwich had the highest proportion of respondents in England and Wales saying they were of ‘no religion’ – 42.5% of the population against an average of 25.1%. There again, the city, which historically is strongly non-conformist, claims to have an above average churchgoing rate, and of the 56,268 who proclaimed no religion in the census nearly 800 were Jedi Knights.

Einstein on the Heath

It’s been a long time since my last post. The main reason for this is that I have been busy working on Slow Norfolk, a new guide for Bradt that is scheduled for publication early next year. Rather than a new edition of Slow Norfolk & Suffolk, that guide will become two separate books in the future: Slow Norfolk and Slow Suffolk. Naturally, there will be a degree of cut and paste involved but, as well as a fresh look and a new emphasis – less in the way of listings, more in the way of a personal take on the county — there will be lots of new material that celebrates that which is strange, quirky and particular about the county. For a taster of the sort of thing that Slow Norfolk will contain, here’s a snippet about a certain German physicist’s brief sojourn in north Norfolk.

Einstein on the Heath

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A couple of miles southeast of Felbrigg Hall is the village of Roughton on the Norwich to Cromer road. Although the village is unremarkable, Roughton Heath just to the north was the unlikely residence of Albert Einstein for a few weeks in 1933. The celebrated German physicist was brought here under tight security to live in a small hut on the heath after fleeing Nazi Germany. Whilst living in his modest hut Einstein continued with important work that would later be put to use developing the world’s first atomic bomb. The scientist also found time to pose for a sculpture by Jacob Epstein. It was this brief episode by the Norfolk coast that provided inspiration for Philip Glass’s opera Einstein on the Beach. A blue plaque commemorating Einstein’s short-lived residence on the heath adorns the wall of the New Inn in Roughton village. The whereabouts of the hut itself is not known.

Of Saints and Shipwrecks

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Beneath the spectacular white and red chalk cliffs of Old Hunstanton in northwest Norfolk lie the sorry remains of what was once a working boat, the Steam Trawler Sheraton. Although she started life in 1907 as a Grimsby fishing trawer, and would later serve a a patrol boat and mine sweeper during World War II,  the Sheraton suffered the ignominy of serving as a target practice vessel for the RAF in 1946. In 1947, a gale caused the boat to break free of her mooring on the Lincolnshire side of the Wash and the Sheraton eventually washed up on Old Hunstanton beach.  Much of her bulk and fixtures were salvaged and now only the bottom of her hull remains, reduced to just a barnacle-covered skeleton of ribs and braces after more than half a century’s scourging by the tide.IMG_8366

The coast at this spot is known as St Edmund’s Point, a name that references the arrival of St Edmund who is said to have been shipwrecked here in AD855. The 14-year-old boy, who would be crowned King of East Anglia the following year, would go on to become a religious cult hero and England’s first patron saint after his matrydom at the hands of Danes in 870. Later, in the 13th century, the monks of Bury St Edmunds would build a chapel on the cliffs above the spot where Edmund was reputed to have landed in gratitude for his safe deliverence. The ruins of the chapel lie close to a white early 19th-century lighthouse, now a private residence, whose light was extinguished at the outbreak of World War I never to be rekindled.

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The beach at Hunstanton is one of the few places in Britain where the foreshore is privately owned. The Le Strange family, who have been lords of the manor here since shortly after the Norman Conquest, have in their possession a charter that states that as well as the beach itself they own ‘everything in the sea as far as a man riding a horse can throw a javelin from the low-tide mark’. The hereditary title of Lord High Admiral of the Wash is also retained by the family. So, the skeletal remains of the Sheraton wreck belong, technically at least, to the Le Strange estate, as do the picturesque seaweed-covered rocks that set off any decent photograph of the cliffs. If St Edmund had pitched up here a couple of centuries later than he did perhaps he would have become the property of the Le Strange estate too?

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Bunhill Fields

IMG_0156Three weeks ago I happened to be in London. As things turned out, on that very same day  the city was somewhat preoccupied with a very high-profile event at London’s most iconic church. Given the circumstances, I felt the need to escape the gravity of St Pauls and mark my all-too-rare visit in a more personal way. So on the morning of April 17 I headed to Bunhill Fields in the Borough of Islington. Here, at a quiet Nonconformist graveyard tucked away from the thrum of city traffic, are buried some of England’s less showy heroes.

IMG_0145Here you’ll find John Bunyan, radical preacher of Pilgrim’s Progress fame, whose stone form lies prone atop a hefty tomb. Nearby stands an obelisk that commemorates Daniel Defoe, a man who in addition to writing Robinson Crusoe was also a great traveller and author of an opinionated account of the  nation in the early years of the 18th century. Next to the Defoe obelisk, and far more humble, is a plain stone that marks the life of another great Londoner– William Blake. So unpretentious is this tomb marker that it does not even stand on the exact spot where Blake are buried – the actual grave is unmarked and the poet’s bones lie elsewhere nearby, although the exact spot is uncertain.

It was a cold grey day, and workmen were working industriously clearing the ground in another part of the graveyard. Otherwise, there were no other visitors to Blake’s – or anyone else’s – grave on that particular morning. Meanwhile, just a mile or so to the south, the traffic had been stopped and bells silenced – no ding-donging permitted on this day. Assorted armed forces lined the street in a gung-ho revival of Falklands fever as a sorry procession of politicians, prison novelists, low-rent celebrities, arms dealers, blubbing chancellors and sundry Spitting Image characters entered the cathedral to take their seats beneath the lofty Wren dome.

As history was rewritten for the umpteenth time in a matter of days, Blake’s bones lay sleeping unperturbed in Bunhill Fields – definitely not for turning. A bone fide Londoner who wrote of higher places, William Blake was a man whose words could reach out to everyman – to Londoners of every stripe certainly, but also to those in Scotland, County Durham, Liverpool…South Wales…South Yorkshire…

Do what you will, this world’s a fiction and is made up of contradiction

Scratching the Earth

To begin the New Year, here is a piece on something close to home and close to heart – allotments. I touched on this subject briefly last year in my post on Dacha.

The feature below originally appeared in Issue 3 of the very excellent EarthLines magazine last November. The issue content for the forthcoming February edition can be seen here.

Scratching the Earth: a celebration of the English allotment

Words and images by Laurence Mitchell

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I am a scratcher, a scraper of earth. Not a full-time farmer but a fair-weather organic vegetable grower. ‘Urban smallholder’ might be a better description, but what I hold is very small indeed and, despite the regular print of my boots, I do not have possession of my own patch of dirt. What I have is something altogether different: temporary stewardship of that quintessentially English tract of land, a city allotment plot.

Scotland also has them but, like beech trees, they tend to be thin on the ground north of the border. But travelling by train across England or Wales you cannot miss them, especially as you make the final backyard run into towns and cities: a few acres of long thin plots with ragged lines of vegetables, tumble-down sheds, compost heaps and algae-stained green houses. In winter, there will probably be stands of frosted Brussels Sprouts (contrarily, the most singularly English of vegetables, which you would be hard-pressed to find in the Belgian capital); in summer, you will inevitably see vines of runner beans entwined up wigwam frames of bamboo, scarlet flowers scrambling for the sky. From your window seat you might witness solitary figures hunched over tending the soil, or red-faced individuals dressed in old clothes clutching a fistful of leaves or a plastic container of soft fruit.

You will not find these oases of fecundity anywhere else in Europe – not quite like this, anyway. True, Germans and Danes have some sort of equivalent with their tidy city gardens, but these have the well-ordered feel of suburbia about them: neat gingerbread cottages, straight lines, pampered lawns and picket fences. In contrast, there is more than a touch of anarchy about the English counterpart: an improvised, hotchpotch character that comes partly from the inherited hubris of surviving maritime blockades and aerial attack, along with the earthy pragmatism of having to live on wits and scraps during wartime. But they have a role to play in times of plenty too; allotments serve as places of refuge for those fleeing latter-day consumer culture. With garden sheds cobbled together from builder’s waste and unhinged old doors, allotments resemble nothing less than Third-World shanty towns – squatter settlements, bidonvilles or favelas. That is, of course, minus the misery: there are no drugs, guns or mudslides to torment their part-time occupants. The worst that can happen here is a plague of aphids, potato blight or tools stolen from sheds.

There is a freedom that comes with all this, this make-do and mend, this non-reliance on throwing money at anything; this quiet undemonstrative snub of consumerism. These are not private gardens after all, where such messy improvisations might snobbishly be seen as a decay of civic pride – the abandoned fridge reverting to nature on the untended scrap of lawn. Rather, they are communal spaces where the individual can do much as he or she wishes. This is not to say that there are no rules of engagement – there are – but these tend to be unwritten yet universally understood by anyone who have served enough time on a plot. Newcomers who fritter away good money on smart sheds and new tools are viewed with suspicion and are seen as unlikely to stay the course – this is usually the reality. Neophyte allotment holders are often viewed as fly-by-night lightweights. To be accepted and, harder still, to be taken seriously, it is necessary to earn one’s spurs, to prove oneself worthy of the respect of the old hands. A decade or so will probably do it, although not necessarily. As well as a place where old-fashioned neighbourliness and community spirit can shine, this is also the sort of territory where traditional English bloody-mindedness can also be freely and wilfully expressed.

Lengthy tomes have been written concerning the history of the English allotment. Suffice it to say, they mostly came into being during one of the nation’s more enlightened interludes when the paternalistic powers-that-be saw fit to grant plots of unused urban space for the use of the city-dwelling working class. The urban allotment was devised as a place where the poor could grow fruit, flowers and vegetables, take health-giving exercise and practice the sort of rosy-cheeked temperance beloved by Victorian philanthropists who, well-meaning though they might have been, felt it necessary to offer a firm guiding hand to the lower orders lest they fall prey to temptation and collapse helplessly in an orgy of gin, laudanum and sexual vice.

Ironically, many of the workers that swelled Britain’s new industrial cities in the Victorian period came because they had already been disenfranchised from the soil they had been sweating over for generations. The Enclosure Movements of the late 18th and early 19th centuries meant that many country dwellers had ended up as landless labourers, subject to the whims and requirements of the landowning class. It was only a savage depletion of their number as cannon fodder during World War I that led to agricultural labourers becoming a scarce-enough commodity for their value to be begrudgingly appreciated once more. Nevertheless, farming declined through the first half of the 20th century, and when it did finally recover after World War II it was with the assistance of power machinery not horny-handed men with teams of horses.

Working men had already taken a stand some centuries earlier. At the outbreak of the English Civil War, the Diggers, led by Gerrard Winstanley, were Christian nonconformists who wished to reform the existing social order with the introduction of egalitarian rural communities. True to their name, they dug; cultivating common land with the claim that the people had been robbed of their birthright by the ruling class that had become established six centuries earlier around the time of the Norman Conquest. The Diggers would fail in their quest, of course, as would their contemporaries, the Levellers – so-named because of their early tendency to raise hedges in rural enclosure riots. What has persisted, though, is Winstanley’s belief that ‘true freedom lies where a man receives his nourishment and preservation, and that is in the use of the earth’ and the notion of ‘the Earth’ (note the capital this time) ‘as a Common Treasury for all’. Effectively, the provision of allotments would represent a form of benign tokenism: the equivalent of scraps from the kitchen for the poor, a handful of coins from the Common Treasury that only a small élite held the keys to.

The earliest allotments were founded in rural areas during the reign of Elizabeth I when the first enclosures of the commons were partly compensated by allocations of land to tenant cottages. The General Enclosure Act of 1845, anticipating civil unrest as a result of earlier sweeping enclosure legislation, made provision for landless poor in the shape of so-called ‘field gardens’ of a quarter of an acre, but only a tiny fraction of land was effectively provided from the enclosed territory. A later act of 1887 obliged local authorities to provide allotments if there was sufficient demand, and this was strengthened by a follow-up act of 1908 that imposed more binding responsibilities.

Allotments came into their own in times of hardship. During World War I, the food blockade imposed by the Germans resulted in greater demand for allotments. In the Great Depression of the 1930s, unemployed coal miners in Wales and northeast England would somehow manage to feed large families on potatoes, cabbages and leeks grown on exhausted soot-begrimed plots. Later, during World War II, food blockades and a lack of farm workers meant that allotments would be the only source of fresh greens for many poorer city dwellers. ‘Dig for Victory’ became the watchword, although food rationing, which continued until 1954, was an equally strong imperative. Following the Allied victory in 1945, allotment numbers declined dramatically right up until the 1970s, when an upsurge of interest in self-sufficiency caused a blip in the overall trend. Since the 1990s the decline has been relatively slow, despite enormous pressure to sell off prime urban sites for building land.

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The most controversial allotment story in recent years concerns the fate of the Manor Gardens allotments in East London. These allotments, once a green refuge of tomatoes and turnip, carrot and coriander next to the River Lea, were cleared in 2007 to make way for landscaping for the London 2012 Olympics. They were fêted in the British media, and painted and photographed by inner city archivists. It does not take much imagination to understand the sense of loss felt by a poor inner-city community for which allotments such as these had long provided a vital social space. Serving as a combined place in the country, picnic spot and community centre for its multi-cultural tenants, it is hard to envisage a better tribute to social cohesion, cultural and class integration and eco-cuddliness. ‘It was an island surrounded by water. Lea Valley Park made a nature reserve at the back of it. You walked out of lousy old Hackney… into Shangri La,’ as one former allotment holder confessed who had inherited his plot from his father back in 1948. Several former tenants have even had their ashes scattered quietly here – a sacred site in the hidden urban core desecrated in the name of progress and ‘urban renewal’, air-brushed and landscaped as part of the warp and weft of the 21st century ‘Olympic’ capital. Since the allotments were cleared, and a temporary alternative site offered, an agreement has been made to reinstate them on the original site once the Games are over. Unfortunately, Marsh Lane, the makeshift new site to which the plots have been temporarily relocated, has, as its name suggests, very poor drainage.

My own humble plot in Norwich took an age to acquire. I placed my name on a waiting list and bided my time for several years before an unexpected telephone call one wintry morning offered me an allotment a couple of miles from my home. I was required to act quickly, as the city council needed a decision that same day. It was hardly perfect – a large rectangle of coarse grass fringed on one side by a long-neglected plot buried in head-high bramble thorns. The plot was close to the edge of the allotments, near to a boundary fence that had been breached by residents of the surrounding council estate, who had chosen the plot next door as a convenient spot to deposit their unwanted household rubbish – shattered television tubes and dismembered bicycles, broken glass and metal detritus. Naturally, I said ‘yes’ immediately, excited that finally I had my own scrap of land to do with as I wished. It may have been in the blood: my grandfather had worked as a gardener and his immediate Victorian ancestors were among those who had exchanged tilling the land and work ‘in service’ to the gentry for more profitable but soul-destroying work in the mills and factories of the English West Midlands. Undoubtedly, there was something primordial in my craving: an atavistic urge to work the earth and practice the alchemy of producing food from dirt, sweat and a packet of seed.

It is easy to over-romanticise the notion of an oasis of peace in an urban environment. The soundtrack to my labours may sometimes be birdsong – or more often the harsh screech of bad tempered gulls – but above the punctured-tyre hiss of tinnitus I am also privy to the familiar click-track of council estate Britain – slamming car doors, raised voices, domestic arguments. And it is not just the birds who croon: one of my allotment neighbours is an unconscious whistler, though the only tune fragment he seems to know is the chorus from ‘Hole in My Shoe’ by Traffic, a Top Ten hit back in 1967. Why is this so fixed in his brain, as repetitive as birdsong? One day the local starlings will probably also mimic the refrain – either that or ‘Popeye the Sailor Man’, which chimes metallically and repeatedly from a cruising ice-cream van – and which is, fittingly perhaps, a song about spinach.

But an allotment can be genuinely magical on occasion: a direct link with the world of nature that lies all around but is all too easy to overlook and increasingly hard to connect with whilst living in a city – a world more feral than truly wild, perhaps, but a cogent reminder of it nevertheless. Arriving early in the morning, you may be lucky enough to witness a family of neighbourhood foxes basking in the low sun – hardly tame, but not exactly fearful either. These magnificent rusty creatures, although now commonplace in urban Britain, still engender wild associations. Reviled by some for their scavenging habits, loved by others for their feral tenacity, they still manage to quicken the heart of city-dwellers with their untamed animal arrogance. And when the pigeons, who wait lazily in trees for cabbage patches to be left unguarded, scatter instantly in a slack-winged flurry of panic, you know that a sparrowhawk has been spotted on the prowl, keen red eyes and cruel talons ready to swipe at unwatchful prey.

An urban existence tends to hold nature away at arm’s length, a little offended perhaps at its unpredictable character and our frail human inability to control it. With tall buildings blocking the sun, and central heating blurring the change of seasons, a patch of dirt untainted by real estate is enough to remind ourselves of the greater seasonal dramas at work. In January, the ground may be too frozen to work and last season’s parsnips will grip the soil as if they were slaves to gravity. A snatch of early March sunshine can warm the air sufficiently to bring out hibernating butterflies from their allotment shed hideaways: gorgeous glimpses of colour – a fluttering tortoiseshell, an eye-winged Peacock, a raggedy Comma – punctuating the afternoon. In contrast, those Lepidoptera that arrive in abundance later in the year – cabbage whites and leek moths – are viewed with all the affection of barnstorming rats. In the dog days of August, drought and a stiff summer breeze is sometimes all it takes to blow away precious topsoil as we slavishly hoe away the weeds: pale dust that sticks to legs before filtering down to boots. Wet warm weather is worse: no chance to hoe away the fast-growing weeds that thrive so much better than those vegetables we try to nurture. Bindweed, couch grass, thistle, horse-tail – the lexicon of horticultural hate.

IMG_1525As allotment holders, we tend to be finely tuned to the vicissitudes of weather and the long-game of climate fluctuation. Our knowledge and memory of the year just passed is more sophisticated than a simple appraisal of ‘cold winter’ or ‘wet summer’. We know from experience that the mild spring and moist summer last year was excellent for the fruit harvest, as we remember plums and damsons that bent the branches earthwards with the weight of their juicy, skin-bursting load – a veritable jamboree that we are still enjoying preserved in jars. It tends to be feast and famine though, and that same hard-won experience tells us that a poor crop will no doubt ensue this season, the trees exhausted and needing to recoup energy following the ostentatious display of last year’s fruit-fest. Besides, it was a cold wet spring too, and so flowering trees were unable to set fruit.

Summer has fluctuations of temperature but the mere yo-yo-ing of a column of mercury discloses little useful information. The weather as reflected in the dynamics of insect populations reveals far more. A consistently warm period heralds an invasion of parthenogenetic sap-suckers: aphids – green, white or black. Warmer still, then expect a sudden boost in the population of aphids’ red-spot nemesis: ladybirds, the nation’s favourite beetle. We know – or rather, learn from old hands – that if the summer is cool and wet then runner beans will probably thrive; a hot dry August, then French beans will do better than their flat-pod British cousins – a bluff Gallic reminder of their continental provenance. Sudden weather changes – cool to hot, wet to dry – and onions will bolt, in a hard-wired urge to flower, set seed and survive genetically for another generation. Winter, too, has subtle degrees of cold that are reflected in the fortunes of the plot. A hard frost that rimes the waxy leaves of cabbages may deter hungry birds, but only to a point. Woodpigeons that generally prefer to shred young broccoli leaves will, in really hard weather, turn the attention of their serrating beaks to the normally unappealing stands of kale if all the more palatable brassicas are efficiently netted. At least we have no rabbits or deer to contend with. Winter is largely a time of fallow and reclamation, but cold weather is no barrier to hardier plot-holders, as there are many ways to warm up, and few activities are more rewarding than turning the soil on a cold misty day observed by a worm-hungry, winter-fluffed robin.

After a while working a plot, subtleties of terrain become apparent and the presence of microclimates reveal themselves. My plot lies at the corner of the block and, with the land sloping gently towards it from both north and west, it is something of a frost pocket. Arrive early enough in the day and it is possible to witness a thin layer of cold air sliding menacingly downhill like dry ice on a stage set, frost-burning tender leaves in its wake. The leaves of early potatoes curl and blacken down here when those higher up near the entrance gate stand green and firm, unaffected by overnight frost. One learns to adapt – plant a little later, earth soil up higher.

Intimacy with the vagaries of the weather is one thing, but as allotment holders we also get to know the topography of the ground beneath our feet with great precision, as years spent hoeing, weeding, digging and harvesting engender a close familiarity with our own designated patch of earth. The small territory that is our plot becomes the place on Earth we know most intimately: a microcosm of achievement, change and intent. We create mental maps of the minutiae of its landscape by repetition, by constant stalking. Without recourse to paper or plan we can map our own territories with quite alarming accuracy. These features appear on no known charts other than those in our mind’s eye. On my own: Couch Grass Hill (a two metre-high man-made round barrow – the clue’s in the name), the asparagus bed, the bramble patch, the soft fruit enclave, the ‘wildlife area’ (former raised beds now rotting under grass and wild flowers), the old pear tree (inherited – purveyor of hard, dry fruit), the apricot tree (planted – purveyor of no fruit thanks to late frosts). As inheritors of a relatively blank canvas we bring the plot into being, unwittingly creating songlines of place and event in the process: the exact location where I once saw a toad, the burrow where foxes used to lived, the place where I once cut myself on hidden glass, where I lost my Swiss Army knife (thus far, a forgotten song). Paths are marked – or rather, left un-dug. Unplanned desire paths are created by repeated footfall – the way through long grass and nettles to the shed where I keep tools (foxes, too, used to leave imprints of regular pathways through the grass before they deserted for pastures new). Each plot is a palimpsest of that which came before, previous tenants leaving marks that fade with time (or grow and mature as in the case of fruit trees). Like a river, the plot is both permanent and ever-changing.

More than anything, stewardship (and that is what it is – the land is owned by faceless others) of an allotment affords a taste of poverty – real life-on-the-edge poverty: an oblique empathy with those millions whose very existence depends on whether their crops succeed or fail. We in the West are, of course, mere dabblers – we will not go hungry – but we become attached nevertheless, and the working of an allotment gives some flavour of deep involvement with the earth and what it must feel like if environmental disaster occurs or ancestral land is stolen or gerrymandered by politics and territorial conflict.

The tenure of an allotment is a sometimes frustrating and occasionally heartbreaking business, but there’s beauty in the organic industry of it all. Leaves, weeds and cuttings rot down in time to make rich black compost. Even old clothes: this is the closest that you can get to giving a worn-out pair of jeans a Tibetan sky burial. Put your trust in bacteria and worms, organise them a little, and in a year or two they will be helping to nurture potatoes and onions. The best thing of all, though, is to see the plants grow before your eyes: the seed that transforms into a tiny plant that, before you know it, morphs into something that actually tastes good. As spring bleeds into summer, bright red bean flowers drop like confetti to reveal miniature pods; asparagus spears push upwards through the soil inviting you to savour their piss-tainting delicacy; yellow squashes swell visibly until they are almost too heavy to lift, and potatoes fatten in trenches hiding their treasure underground until it is no longer possible to resist digging up that first forkful of the season. All life is here: birth, sex and death. Naturally, as many allotment holders are well into their later years it is usually the last of this triumvirate that is foremost in their minds. All the more reason, then, to savour the horticultural equivalent of the first two.

Savamala, Belgrade

I have just returned from Belgrade, the Serbian capital, where I have been doing research for the fourth edition of my Bradt Serbia guide that will be published next summer sometime. Belgrade never was the white city that its name (Beo = white, grad = city) suggests but some parts are certainly more grey than others. One such ‘grey area’ is the Savamala district that lies along the traffic-choked thoroughfare of Karadjordjeva close to the railway station and River Sava port. Heavy traffic, air pollution and decades of neglect have seen to it that, at first glance at least, this would appear to be one of the more down at heel neighbourhoods in the city. A closer look, though, reveals a wealth of wonderful, if slightly crumbling, architecture in Secessionist style.

The best of all the buildings here, albeit in poor shape these days, is the Geozavod building that started life as an Austro-Hungarian stock exchange before later becoming Yugoslavia’s State Geological Institute. Normally it is impossible to get inside as the building is considered to be unsafe but as it has been used to house this year’s 53rd October Art Salon I managed to gain access thanks to my artist friend Ivana.

Evidence of the building’s original use can still be seen on the ground floor, where as well as solid German-made safes, the exchange counters are still in place, their  marble and finely engraved glass pristinely preserved. Elsewhere a broken clock and cupboards filled with dusty tomes tell of its time as a geological institute. A portrait of Tito adds to the feel of a vanished world -the once powerful and influential nation that was Yugoslavia.